See Part 1 here.

Once the dearly departed has been interred, everything changes.

No more dirges or sad songs, it’s time to celebrate a life well lived. Parasols come out, white handkerchiefs fly and the dancing begins.

Only 33, Kerwin had a stroke after Hurricane Katrina, succumbing in 2007. His bio, according to a writeup in the Times-Pic:

Kerwin James is truly a product of New Orleans. He grew up in the Sixth Ward playing the snare drum at the age of eight and began picking up the tuba a few years later. The young James would accompany his brother Philip Frazier of the Rebirth Brass Band to the band’s gigs and act as Grand Marshall, dancing and occasionally sitting in with the band. By the time Kerwin was eleven years old, he had made enough tips playing in the French Quarter to buy his first horn. Since then, James has played with the Jr. Olympia Brass Band, the Allstars and the Rebirth Brass Band.

Unfortunately, James’ funeral became a flashpoint in the community.

Again from the Times-Picayune:

Monday, at about 8 p.m., nearly 20 police cars swarmed to a Treme corner, breaking up a memorial procession and taking away two well-known neighborhood musicians in handcuffs.

The confrontation spurred cries in the neighborhood about the over-reaction and disproportionate enforcement by police, who had often turned a blind eye to the traditional memorial ceremonies. Still others say the incident is a sign of a greater attack on the cultural history of the old city neighborhood by well-heeled newcomers attracted to Treme by the very history they seem to threaten.

Police say Monday’s response was in part generated from unspecified complaints.

Tabb and Andrews face misdemeanor charges of disturbing the peace and parading without a permit. But both returned Tuesday night to the intersection of St. Philip and North Robertson streets to lead another procession for their friend.

“I got to be here,” Andrews said. “Because I have to stand up for what I believe in.”

The other concern, which is not mentioned in the article, is that the parades have occasionally been used as a place to settle ‘scores,’ particularly if the deceased died violently. The purchasing of permits for the parades is the police’s preferred method of dealing with the situation. The permits would pay for police escorts, which would keep private property from being touched, and keep the possibility of danger down.

The second line groups argue that this is part of the tradition in the city, and requiring these permits would kill the tradition, since many of these musicians’ families are poor and couldn’t afford the expense.

It’s an argument that’s not yet settled, so we’ll have to keep an eye on it and hope the tradition lives on.

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